"When P30 and Orto came back to life, there was no doubt in my mind that they were 'the' film." - Andrea Monti

"In this series with Ferrania P30, I use this silver-rich film to convey powerful and unsettling sensations, capturing places that are still awaiting their destiny." - Matteo Forli

"As a photographer, my vision is deeply rooted in capturing the essence of moments, emotions, and the unique stories that unfold before my lens. I strive to freeze time in a frame, preserving the fleeting beauty that often goes unnoticed in the hustle of everyday life." - Alec Smith

"I started taking pictures with Ferrania P30 a few months ago and I instantly loved it. From the recent hot Italian summer days to the mild northerly winter afternoons in Melbourne, Australia (where I currently reside), Ferrania P30 allows me to build a consistent body of work with very little compromise. There is something special, romantic at times, about the look that P30 gives to my images, it embodies quite well the very same vision I have in mind when I am out shooting." - Carlo Oggioni

"Taking photographs with Ferrania film takes me back in time, when as a child I immortalized my memories on the Scotch Chrome produced in the factory. To then arrive in April 2017, where, working in Film Ferrania, I saw the birth of the P30 of the new millennium. My favorite film can only be her!" - Lidia Giusto

"I've used a variety of black and white films in the past, but I wasn't too happy with the outcomes.Two years ago I saw this film called Ferrania P30 80 ISO, I wasn't sure about it! I usually use films with 400 ISO. But once I tested it, I was astounded by the black and white (and grey), high contrast and fine grain in images. That's what I truly hoped to get from a film as a street photographer! It Changed the game!." - Nelson Mendes Vieira

"Ferrania P30 captures the image I have in mind well. That of a timeless world, crystallized in its beauty but evolving. Technically speaking, P30 is a good testing ground for developers, being a film that requires careful study and that delivers great satisfaction if properly exposed and developed." - Robbie McIntosh

"I love Film Ferrania as its looks is like an instantaneous call back to the look and feel of cinema. I choose Film Ferrania for my projects because the images I create with it gives me an immediate sense of connection. Connection to feelings. It is a connection to a memory that may not even be mine, but a liminal space. A shared, ethereal nostalgia that allows others to connect to images of strangers and invites them to feel empathy." - Mark C Warner

In addition to being a photographer, Schaub is also a filmmaker, so he has long been aware of the strong legacy of Ferrania films. “I chose Ferrania for the Scotland project because I knew the rich tonality and contrast would not only be expressive and beautiful, but because I felt the cinematic qualities would resonate with the themes I was exploring of myth, folklore and legend. “Coupled with my developer of choice, in this case Rodinol, I was able to process my film on location in very minimal circumstances (a bathroom the size of a closet) and achieve the feeling that I was going for: evocative, alluring, and a little unsettling.”