"In this series with Ferrania P30, I use this silver-rich film to convey powerful and unsettling sensations, capturing places that are still awaiting their destiny." - Matteo Forli

"I started taking pictures with Ferrania P30 a few months ago and I instantly loved it. From the recent hot Italian summer days to the mild northerly winter afternoons in Melbourne, Australia (where I currently reside), Ferrania P30 allows me to build a consistent body of work with very little compromise. There is something special, romantic at times, about the look that P30 gives to my images, it embodies quite well the very same vision I have in mind when I am out shooting." - Carlo Oggioni

"Taking photographs with Ferrania film takes me back in time, when as a child I immortalized my memories on the Scotch Chrome produced in the factory. To then arrive in April 2017, where, working in Film Ferrania, I saw the birth of the P30 of the new millennium. My favorite film can only be her!" - Lidia Giusto

"I've used a variety of black and white films in the past, but I wasn't too happy with the outcomes.Two years ago I saw this film called Ferrania P30 80 ISO, I wasn't sure about it! I usually use films with 400 ISO. But once I tested it, I was astounded by the black and white (and grey), high contrast and fine grain in images. That's what I truly hoped to get from a film as a street photographer! It Changed the game!." - Nelson Mendes Vieira

"Ferrania P30 captures the image I have in mind well. That of a timeless world, crystallized in its beauty but evolving. Technically speaking, P30 is a good testing ground for developers, being a film that requires careful study and that delivers great satisfaction if properly exposed and developed." - Robbie McIntosh

"I love Film Ferrania as its looks is like an instantaneous call back to the look and feel of cinema. I choose Film Ferrania for my projects because the images I create with it gives me an immediate sense of connection. Connection to feelings. It is a connection to a memory that may not even be mine, but a liminal space. A shared, ethereal nostalgia that allows others to connect to images of strangers and invites them to feel empathy." - Mark C Warner

In addition to being a photographer, Schaub is also a filmmaker, so he has long been aware of the strong legacy of Ferrania films. “I chose Ferrania for the Scotland project because I knew the rich tonality and contrast would not only be expressive and beautiful, but because I felt the cinematic qualities would resonate with the themes I was exploring of myth, folklore and legend. “Coupled with my developer of choice, in this case Rodinol, I was able to process my film on location in very minimal circumstances (a bathroom the size of a closet) and achieve the feeling that I was going for: evocative, alluring, and a little unsettling.”

"I photographed around Raleigh, NC. Being a born and raised city dweller, where it's always fast paced, Raleigh provided me a respite from it all. Granted me an opportunity to slow down and take in all the little things. See the real people and small details that make up a southern city. Being a lower speed film, Ferrania P30 handled the tones and sharpness in a way I appreciated." - Chris Facey

"I relied on Film Ferrania P30 because of it's high silver content, deep shadows and beautiful rendering of light and gradients. We live in a world where smart-phone digital photography is ubiquitous and somehow feels less-real or hyper-real whereas the emotion I get from P30 is somehow more "real" or more grounded. Thanks to the beautiful rendering, when I see an image created with P30, I somehow feel the color and vibrance of the space in spite of it being monochrome. It puts me more "there." - Daniel Brothers